第2章 DEDICATION(2)

He had every sort of luck. He was left a widower with but one son. The boy he sent to the grammar school; he must be educated, not so much for his own sake as to train a successor to the business; and Sechard treated the lad harshly so as to prolong the time of parental rule, making him work at case on holidays, telling him that he must learn to earn his own living, so as to recompense his poor old father, who was slaving his life out to give him an education.

Then the Abbe went, and Sechard promoted one of his four compositors to be foreman, making his choice on the future bishop's recommendation of the man as an honest and intelligent workman. In these ways the worthy printer thought to tide over the time until his son could take a business which was sure to extend in young and clever hands.

David Sechard's school career was a brilliant one. Old Sechard, as a "bear" who had succeeded in life without any education, entertained a very considerable contempt for attainments in book learning; and when he sent his son to Paris to study the higher branches of typography, he recommended the lad so earnestly to save a good round sum in the "working man's paradise" (as he was pleased to call the city), and so distinctly gave the boy to understand that he was not to draw upon the paternal purse, that it seemed as if old Sechard saw some way of gaining private ends of his own by that sojourn in the Land of Sapience. So David learned his trade, and completed his education at the same time, and Didot's foreman became a scholar; and yet when he left Paris at the end of 1819, summoned home by his father to take the helm of business, he had not cost his parent a farthing.

Now Nicolas Sechard's establishment hitherto had enjoyed a monopoly of all the official printing in the department, besides the work of the prefecture and the diocese--three connections which should prove mighty profitable to an active young printer; but precisely at this juncture the firm of Cointet Brothers, paper manufacturers, applied to the authorities for the second printer's license in Angouleme.

Hitherto old Sechard had contrived to reduce this license to a dead letter, thanks to the war crisis of the Empire, and consequent atrophy of commercial enterprise; but he had neglected to buy up the right himself, and this piece of parsimony was the ruin of the old business.

Sechard thought joyfully when he heard the news that the coming struggle with the Cointets would be fought out by his son and not by himself.

"I should have gone to the wall," he thought, "but a young fellow from the Didots will pull through."

The septuagenarian sighed for the time when he could live at ease in his own fashion. If his knowledge of the higher branches of the craft of printing was scanty, on the other hand, he was supposed to be past master of an art which workmen pleasantly call "tipple-ography," an art held in high esteem by the divine author of Pantagruel; though of late, by reason of the persecution of societies yclept of Temperance, the cult has fallen, day by day, into disuse.

Jerome-Nicolas Sechard, bound by the laws of etymology to be a dry subject, suffered from an inextinguishable thirst. His wife, during her lifetime, managed to control within reasonable bounds the passion for the juice of the grape, a taste so natural to the bear that M. de Chateaubriand remarked it among the ursine tribes of the New World.

But philosophers inform us that old age is apt to revert to the habits of youth, and Sechard senior is a case in point--the older he grew, the better he loved to drink. The master-passion had given a stamp of originality to an ursine physiognomy; his nose had developed till it reached the proportions of a double great-canon A; his veined cheeks looked like vine-leaves, covered, as they were, with bloated patches of purple, madder red, and often mottled hues; till altogether, the countenance suggested a huge truffle clasped about by autumn vine tendrils. The little gray eyes, peering out from beneath thick eyebrows like bushes covered with snow, were agleam with the cunning of avarice that had extinguished everything else in the man, down to the very instinct of fatherhood. Those eyes never lost their cunning even when disguised in drink. Sechard put you in mind of one of La Fontaine's Franciscan friars, with the fringe of grizzled hair still curling about his bald pate. He was short and corpulent, like one of the old-fashioned lamps for illumination, that burn a vast deal of oil to a very small piece of wick; for excess of any sort confirms the habit of body, and drunkenness, like much study, makes the fat man stouter, and the lean man leaner still.

For thirty years Jerome-Nicolas-Sechard had worn the famous municipal three-cornered hat, which you may still see here and there on the head of the towncrier in out-of-the-way places. His breeches and waistcoat were of greenish velveteen, and he wore an old-fashioned brown greatcoat, gray cotton stockings, and shoes with silver buckles to them. This costume, in which the workman shone through the burgess, was so thoroughly in keeping with the man's character, defects, and way of life, that he might have come ready dressed into the world. You could no more imagine him apart from his clothes than you could think of a bulb without its husk. If the old printer had not long since given the measure of his blind greed, the very nature of the man came out in the manner of his abdication.