The History and Practice of the Art of
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第47章 THE NIGHT OF MASSACRE(2)

"Count me your friend," he said, "body and soul, heart and bowels, even as I count you mine. Fare you well, my father."Coligny departed, and the King retraced his steps, walking quickly, his head hunched between his shoulders, his baleful eyes looking neither to left nor right. As he passed out, the Duke of Anjou quitted the side of Madame de Nemours, and went after him. Then at last the suspended chatter of the courtiers broke loose again.

The King was pacing his cabinet - a simple room furnished with a medley of objects appertaining to study, to devotion, and to hunting.

A large picture of the Virgin hung from a wall flanked on either side by an arquebus, and carrying a hunting-horn on one of its upper corners. A little alabaster holy-water font near the door, crowned by a sprig of palm, seemed to serve as a receptacle for hawk-bells and straps. There was a writing-table of beautifully carved walnut near the leaded window, littered with books and papers - a treatise on hunting lay cheek by jowl with a Book of Hours; a string of rosary beads and a dog-whip lay across an open copy of Ronsard's verses. The King was quite the vilest poetaster of his day.

Charles looked over his shoulder as his brother entered. The scowl on his face deepened when he saw who came, and with a grunt he viciously kicked the liver-coloured hound that lay stretched at his feet. The hound fled yelping to a corner, the Duke checked, startled, in his advance.

"Well?" growled the King. "Well? Am I never to have peace? Am Inever to be alone? What now? Bowels of God! What do you want?"His green eyes smouldered, his right hand opened and closed on the gold hilt of the dagger at his girdle:

Scared by the maniac ferocity of this reception, the young Duke precipitately withdrew.

"It is nothing. Another time, since I disturb you now." He bowed and vanished, followed by an evil, cackling laugh.

Anjou knew how little his brother loved him, and he confesses how much he feared him in that moment. But under his fear it is obvious that there was lively resentment. He went straight in quest of his mother, whose darling he was, to bear her the tale of the King's mood, and what he accounted, no doubt rightly, the cause of it.

"It is the work of that pestilential Huguenot admiral," he announced, at the end of a long tirade, "It is always thus with him after he has seen Coligny."Catherine of Medicis considered. She was a fat, comfortable woman, with a thick nose, pinched lips, and sleepy eyes.

"Charles," she said at length, in her monotonous, emotionless voice, "is a weathercock that turns with every wind that blows upon him.

You should know him by now." And she yawned, so that one who did not know her and her habit of perpetually yawning might have supposed that she was but indifferently interested.

They were alone together in the intimate little tapestried room she called her oratory. She half sat, half reclined upon a couch of rose brocade. Anjou stood over by the window, his back to it, so that his pale face was in shadow. He considered his beautiful hands, which he was reluctant to lower, lest the blood should flow into them and mar their white perfection.

"The Admiral's influence over him is increasing," he complained, "and he uses it to lessen our own.""Do I not know it?" came her dull voice.

"It is time to end it," said Anjou passionately, "before he ends us.

Your influence grows weaker every day and the Admiral's stronger.

Charles begins to take sides with him against us. We shall have him a tool of the Huguenot party before all is done. Ah, mon Dieu!

You should have seen him leaning upon the shoulder of that old parpaillot, calling him 'my father,' and protesting himself his devoted friend 'body and soul, heart and bowels,' in his own words.

And when I seek him afterwards, he scowls and snarls at me, and fingers his dagger as if he would have it in my throat. It is plain to see upon what subject the old scoundrel entertained him."And again he repeated, more fiercely than before: "It is time to end it!""I know," she said, ever emotionless before so much emotion. "And it shall be ended. The old assassin should have been hanged years ago for guiding the hand that shot Francois de Guise. Daily he becomes a greater danger, to Charles, to ourselves, and to France.

He is embroiling us with Spain through this Huguenot army he is raising to go and fight the battles of Calvinism in Flanders. Afine thing that. Ah, per Dio!" For a moment her voice was a little warmed and quickened. "Catholic France at war with Catholic Spain for the sake of Huguenot Flanders!" She laughed shortly.

Then her voice reverted to its habitual sleepy level. "You are right. It is time to end it. Coligny is the head of this rebellious beast. If we cut off the head, perhaps the beast will perish. We will consult the Duke of Guise." She yawned again.

"Yes, the Duke of Guise will be ready to lend us his counsel and his aid. Decidedly we must get rid of the Admiral."That was on Monday, August 18th of that year 1572, and such was the firm purpose and energy of that fat and seemingly sluggish woman, that within two days all necessary measures were taken, and Maurevert, the assassin, was at his post in the house of Vilaine, in the Cloisters of Saint-Germain l'Auxerrois, procured for the purpose by Madame de Nemours, who bore the Admiral a mortal hatred.

It was not, however, until the following Friday that Maurevert was given the opportunity of carrying out the task to which he had been hired. On that morning, as the Admiral was passing, accompanied by a few gentlemen of his household, returning from the Louvre to his house in the Rue Betisy, the assassin did his work. There was a sudden arquebusade from a first-floor window, and a bullet smashed two fingers of the Admiral's right hand, and lodged itself in the muscles of his left arm.