第9章 THE TALISMAN(9)
With two strokes of the brush a painter could have so altered the expression of this face, that what had been a serene representation of the Eternal Father should change to the sneering mask of a Mephistopheles; for though sovereign power was revealed by the forehead, mocking folds lurked about the mouth. He must have sacrificed all the joys of earth, as he had crushed all human sorrows beneath his potent will. The man at the brink of death shivered at the thought of the life led by this spirit, so solitary and remote from our world; joyless, since he had no one illusion left; painless, because pleasure had ceased to exist for him. There he stood, motionless and serene as a star in a bright mist. His lamp lit up the obscure closet, just as his green eyes, with their quiet malevolence, seemed to shed a light on the moral world.
This was the strange spectacle that startled the young man's returning sight, as he shook off the dreamy fancies and thoughts of death that had lulled him. An instant of dismay, a momentary return to belief in nursery tales, may be forgiven him, seeing that his senses were obscured. Much thought had wearied his mind, and his nerves were exhausted with the strain of the tremendous drama within him, and by the scenes that had heaped on him all the horrid pleasures that a piece of opium can produce.
But this apparition had appeared in Paris, on the Quai Voltaire, and in the nineteenth century; the time and place made sorcery impossible.
The idol of French scepticism had died in the house just opposite, the disciple of Gay-Lussac and Arago, who had held the charlatanism of intellect in contempt. And yet the stranger submitted himself to the influence of an imaginative spell, as all of us do at times, when we wish to escape from an inevitable certainty, or to tempt the power of Providence. So some mysterious apprehension of a strange force made him tremble before the old man with the lamp. All of us have been stirred in the same way by the sight of Napoleon, or of some other great man, made illustrious by his genius or by fame.
"You wish to see Raphael's portrait of Jesus Christ, monsieur?" the old man asked politely. There was something metallic in the clear, sharp ring of his voice.
He set the lamp upon a broken column, so that all its light might fall on the brown case.
At the sacred names of Christ and Raphael the young man showed some curiosity. The merchant, who no doubt looked for this, pressed a spring, and suddenly the mahogany panel slid noiselessly back in its groove, and discovered the canvas to the stranger's admiring gaze. At sight of this deathless creation, he forgot his fancies in the show-rooms and the freaks of his dreams, and became himself again. The old man became a being of flesh and blood, very much alive, with nothing chimerical about him, and took up his existence at once upon solid earth.
The sympathy and love, and the gentle serenity in the divine face, exerted an instant sway over the younger spectator. Some influence falling from heaven bade cease the burning torment that consumed the marrow of his bones. The head of the Saviour of mankind seemed to issue from among the shadows represented by a dark background; an aureole of light shone out brightly from his hair; an impassioned belief seemed to glow through him, and to thrill every feature. The word of life had just been uttered by those red lips, the sacred sounds seemed to linger still in the air; the spectator besought the silence for those captivating parables, hearkened for them in the future, and had to turn to the teachings of the past. The untroubled peace of the divine eyes, the comfort of sorrowing souls, seemed an interpretation of the Evangel. The sweet triumphant smile revealed the secret of the Catholic religion, which sums up all things in the precept, "Love one another." This picture breathed the spirit of prayer, enjoined forgiveness, overcame self, caused sleeping powers of good to waken. For this work of Raphael's had the imperious charm of music; you were brought under the spell of memories of the past; his triumph was so absolute that the artist was forgotten. The witchery of the lamplight heightened the wonder; the head seemed at times to flicker in the distance, enveloped in cloud.
"I covered the surface of that picture with gold pieces," said the merchant carelessly.
"And now for death!" cried the young man, awakened from his musings.
His last thought had recalled his fate to him, as it led him imperceptibly back from the forlorn hopes to which he had clung.
"Ah, ha! then my suspicions were well founded!" said the other, and his hands held the young man's wrists in a grip like that of a vice.
The younger man smiled wearily at his mistake, and said gently:
"You, sir, have nothing to fear; it is not your life, but my own that is in question. . . . But why should I hide a harmless fraud?" he went on, after a look at the anxious old man. "I came to see your treasures to while away the time till night should come and I could drown myself decently. Who would grudge this last pleasure to a poet and a man of science?"While he spoke, the jealous merchant watched the haggard face of his pretended customer with keen eyes. Perhaps the mournful tones of his voice reassured him, or he also read the dark signs of fate in the faded features that had made the gamblers shudder; he released his hands, but, with a touch of caution, due to the experience of some hundred years at least, he stretched his arm out to a sideboard as if to steady himself, took up a little dagger, and said:
"Have you been a supernumerary clerk of the Treasury for three years without receiving any perquisites?"The stranger could scarcely suppress a smile as he shook his head.
"Perhaps your father has expressed his regret for your birth a little too sharply? Or have you disgraced yourself?""If I meant to be disgraced, I should live."