THE PORTRAIT OF A LADY
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第13章

Isabel, though she danced very well, had not the recollection of having been in New York a successful member of the choregraphic circle; her sister Edith was, as every one said, so very much more fetching.Edith was so striking an example of success that Isabel could have no illusions as to what constituted this advantage, or as to the limits of her own power to frisk and jump and shriek- above all with rightness of effect.Nineteen persons out of twenty (including the younger sister herself pronounced Edith infinitely the prettier of the two; but the twentieth, besides reversing this judgement, had the entertainment of thinking all the others aesthetic vulgarians.

Isabel had in the depths of her nature an even more unquenchable desire to please than Edith; but the depths of this young lady's nature were a very out-of-the-way place, between which and the surface communication was interrupted by a dozen capricious forces.She saw the young men who came in large numbers to see her sister; but as a general thing they were afraid of her; they had a belief that some special preparation was required for talking with her.Her reputation of reading a great deal hung about her like the cloudy envelope of a goddess in an epic; it was supposed to engender difficult questions and to keep the conversation at a low temperature.

The poor girl liked to be thought clever, but she hated to be thought bookish; she used to read in secret and, though her memory was excellent, to abstain from showy reference.She had a great desire for knowledge, but she really preferred almost any source of information to the printed page; she had an immense curiosity about life and was constantly staring and wondering.She carried within herself a great fund of life, and her deepest enjoyment was to feel the continuity between the movements of her own soul and the agitations of the world.

For this reason she was fond of seeing great crowds and large stretches of country, of reading about revolutions and wars, of looking at historical pictures- a class of efforts as to which she had often committed the conscious solecism of forgiving them much bad painting for the sake of the subject.While the Civil War went on she was still a very young girl; but she passed months of this long period in a state of almost passionate excitement, in which she felt herself at times (to her extreme confusion) stirred almost indiscriminately by the valour of either army.Of course the circumspection of suspicious swains had never gone the length of making her a social proscript; for the number of those whose hearts, as they approached her, beat only just fast enough to remind them they had heads as well, had kept her unacquainted with the supreme discipline of her sex and age.She had had everything a girl could have: kindness, admiration, bonbons, bouquets, the sense of exclusion from none of the privileges of the world she lived in, abundant opportunity for dancing, plenty of new dresses, the London Spectator, the latest publications, the music of Gounod, the poetry of Browning, the prose of George Eliot.

These things now, as memory played over them, resolved themselves into a multitude of scenes and figures.Forgotten things came back to her; many others, which she had lately thought of great moment, dropped out of sight.The result was kaleidoscopic, but the movement of the instrument was checked at last by the servant's coming in with the name of a gentleman.The name of the gentleman was Caspar Goodwood; he was a straight young man from Boston, who had known Miss Archer for the last twelvemonth and who, thinking her the most beautiful young woman of her time, had pronounced the time, according to the rule I have hinted at, a foolish period of history.

He sometimes wrote to her and had within a week or two written from New York.She had thought it very possible he would come in- had indeed all the rainy day been vaguely expecting him.Now that she learned he was there, nevertheless, she felt no eagerness to receive him.He was the finest young man she had ever seen, was indeed quite a splendid young man; he inspired her with a sentiment of high, of rare respect.She had never felt equally moved to it by any other person.He was supposed by the world in general to wish to marry her, but this of course was between themselves.It at least may be affirmed that he had travelled from New York to Albany expressly to see her; having learned in the former city, where he was spending a few days and where he had hoped to find her, that she was still at the State capital.Isabel delayed for some minutes to go to him; she moved about the room with a new sense of complications.But at last she presented herself and found him standing near the lamp.He was tall, strong and somewhat stiff; he was also lean and brown.He was not romantically, he was much rather obscurely, handsome; but his physiognomy had an air of requesting your attention, which it rewarded according to the charm you found in blue eyes of remarkable fixedness, the eyes of a complexion other than his own, and a jaw of the somewhat angular mould which is supposed to bespeak resolution.Isabel said to herself that it bespoke resolution to-night; in spite of which, in half an hour, Caspar Goodwood, who had arrived hopeful as well as resolute, took his way back to his lodging with the feeling of a man defeated.He was not, it may be added, a man weakly to accept defeat.