第64章 BOHEMIAN DAYS IN SAN FRANCISCO(5)

I recall another incident connected with the building equally characteristic of the period. The United States Branch Mint stood very near it, and its tall, factory-like chimneys overshadowed my cousin's roof. Some scandal had arisen from an alleged leakage of gold in the manipulation of that metal during the various processes of smelting and refining. One of the excuses offered was the volatilization of the precious metal and its escape through the draft of the tall chimneys. All San Francisco laughed at this explanation until it learned that a corroboration of the theory had been established by an assay of the dust and grime of the roofs in the vicinity of the Mint. These had yielded distinct traces of gold. San Francisco stopped laughing, and that portion of it which had roofs in the neighborhood at once began prospecting. Claims were staked out on these airy placers, and my cousin's roof, being the very next one to the chimney, and presumably "in the lead," was disposed of to a speculative company for a considerable sum. I remember my cousin telling me the story--for the occurrence was quite recent--and taking me with him to the roof to explain it, but I am afraid I was more attracted by the mystery of the closely guarded building, and the strangely tinted smoke which arose from this temple where money was actually being "made," than by anything else. Nor did I dream as I stood there--a very lanky, open-mouthed youth--that only three or four years later I should be the secretary of its superintendent. In my more adventurous ambition I am afraid I would have accepted the suggestion half-heartedly.

Merely to have helped to stamp the gold which other people had adventurously found was by no means a part of my youthful dreams.

At the time of these earlier impressions the Chinese had not yet become the recognized factors in the domestic and business economy of the city which they had come to be when I returned from the mines three years later. Yet they were even then a more remarkable and picturesque contrast to the bustling, breathless, and brand-new life of San Francisco than the Spaniard. The latter seldom flaunted his faded dignity in the principal thoroughfares. "John" was to be met everywhere. It was a common thing to see a long file of sampan coolies carrying their baskets slung between them, on poles, jostling a modern, well-dressed crowd in Montgomery Street, or to get a whiff of their burned punk in the side streets; while the road leading to their temporary burial-ground at Lone Mountain was littered with slips of colored paper scattered from their funerals. They brought an atmosphere of the Arabian Nights into the hard, modern civilization; their shops--not always confined at that time to a Chinese quarter--were replicas of the bazaars of Canton and Peking, with their quaint display of little dishes on which tidbits of food delicacies were exposed for sale, all of the dimensions and unreality of a doll's kitchen or a child's housekeeping.

They were a revelation to the Eastern immigrant, whose preconceived ideas of them were borrowed from the ballet or pantomime; they did not wear scalloped drawers and hats with jingling bells on their points, nor did I ever see them dance with their forefingers vertically extended. They were always neatly dressed, even the commonest of coolies, and their festive dresses were marvels. As traders they were grave and patient; as servants they were sad and civil, and all were singularly infantine in their natural simplicity. The living representatives of the oldest civilization in the world, they seemed like children. Yet they kept their beliefs and sympathies to themselves, never fraternizing with the fanqui, or foreign devil, or losing their singular racial qualities. They indulged in their own peculiar habits; of their social and inner life, San Francisco knew but little and cared less. Even at this early period, and before I came to know them more intimately, I remember an incident of their daring fidelity to their own customs that was accidentally revealed to me. I had become acquainted with a Chinese youth of about my own age, as I imagined,--although from mere outward appearance it was generally impossible to judge of a Chinaman's age between the limits of seventeen and forty years,--and he had, in a burst of confidence, taken me to see some characteristic sights in a Chinese warehouse within a stone's throw of the Plaza. I was struck by the singular circumstance that while the warehouse was an erection of wood in the ordinary hasty Californian style, there were certain brick and stone divisions in its interior, like small rooms or closets, evidently added by the Chinamen tenants. My companion stopped before a long, very narrow entrance, a mere longitudinal slit in the brick wall, and with a wink of infantine deviltry motioned me to look inside. I did so, and saw a room, really a cell, of fair height but scarcely six feet square, and barely able to contain a rude, slanting couch of stone covered with matting, on which lay, at a painful angle, a richly dressed Chinaman. A single glance at his dull, staring, abstracted eyes and half-opened mouth showed me he was in an opium trance. This was not in itself a novel sight, and I was moving away when I was suddenly startled by the appearance of his hands, which were stretched helplessly before him on his body, and at first sight seemed to be in a kind of wicker cage.

I then saw that his finger-nails were seven or eight inches long, and were supported by bamboo splints. Indeed, they were no longer human nails, but twisted and distorted quills, giving him the appearance of having gigantic claws. "Velly big Chinaman," whispered my cheerful friend; "first-chop man--high classee--no can washee--no can eat--no dlinke, no catchee him own glub allee same nothee man--China boy must catchee glub for him, allee time! Oh, him first-chop man--you bettee!"