第22章 CHAPTER V A PRINCIPAL PERSONAGE(4)

In art--and perhaps Moliere had placed hypocrisy in the rank of art by classing Tartuffe forever among comedians--there exists a point of perfection to which genius alone attains; mere talent falls below it.

There is so little difference between a work of genius and a work of talent, that only men of genius can appreciate the distance that separates Raffaelle from Correggio, Titian from Rubens. More than that; common minds are easily deceived on this point. The sign of genius is a certain appearance of facility. In fact, its work must appear, at first sight, ordinary, so natural is it, even on the highest subjects. Many peasant-women hold their children as the famous Madonna in the Dresden gallery holds hers. Well, the height of art in a man of la Peyrade's force was to oblige others to say of him later:

"Everybody would have been taken in by him."

Now, in the salon Thuillier, he noted a dawning opposition; he perceived in Colleville the somewhat clear-sighted and criticising nature of an artist who has missed his vocation. The barrister felt himself displeasing to Colleville, who (as the result of circumstances not necessary to here report) considered himself justified in believing in the science of anagrams. None of this anagrams had ever failed. The clerks in the government office had laughed at him when, demanding an anagram on the name of the poor helpless Auguste-Jean-Francois Minard, he had produced, "J'amassai une si grande fortune";and the event had justified him after the lapse of ten years!

Theodose, on several occasions, had made advances to the jovial secretary of the mayor's office, and had felt himself rebuffed by a coldness which was not natural in so sociable a man. When the game of bouillotte came to an end, Colleville seized the moment to draw Thuillier into the recess of a window and say to him:--"You are letting that lawyer get too much foothold in your house; he kept the ball in his own hands all the evening.""Thank you, my friend; forewarned is forearmed," replied Thuillier, inwardly scoffing at Colleville.

Theodose, who was talking at the moment to Madame Colleville, had his eye on the two men, and, with the same prescience by which women know when and how they are spoken of, he perceived that Colleville was trying to injure him in the mind of the weak and silly Thuillier.

"Madame," he said in Flavie's ear, "if any one here is capable of appreciating you it is certainly I. You seem to me a pearl dropped into the mire. You say you are forty-two, but a woman is no older than she looks, and many women of thirty would be thankful to have your figure and that noble countenance, where love has passed without ever filling the void in your heart. You have given yourself to God, Iknow, and I have too much religion myself to regret it, but I also know that you have done so because no human being has proved worthy of you. You have been loved, but you have never been adored--I have divined that. There is your husband, who has not known how to please you in a position in keeping with your deserts. He dislikes me, as if he thought I loved you; and he prevents me from telling you of a way that I think I have found to place you in the sphere for which you were destined. No, madame," he continued, rising, "the Abbe Gondrin will not preach this year through Lent at our humble Saint-Jacques du Haut-Pas; the preacher will be Monsieur d'Estival, a compatriot of mine, and you will hear in him one of the most impressive speakers that I have ever known,--a priest whose outward appearance is not agreeable, but, oh! what a soul!""Then my desire will be gratified," said poor Madame Thuillier. "Ihave never yet been able to understand a famous preacher."A smile flickered on the lips of Mademoiselle Thuillier and several others who heard the remark.

"They devote themselves too much to theological demonstration," said Theodose. "I have long thought so myself--but I never talk religion;if it had not been for Madame DE Colleville, I--""Are there demonstrations in theology?" asked the professor of mathematics, naively, plunging headlong into the conversation.

"I think, monsieur," replied Theodose, looking straight at Felix Phellion, "that you cannot be serious in asking me such a question.""Felix," said old Phellion, coming heavily to the rescue of his son, and catching a distressed look on the pale face of Madame Thuillier,--"Felix separates religion into two categories; he considers it from the human point of view and the divine point of view,--tradition and reason.""That is heresy, monsieur," replied Theodose. "Religion is one; it requires, above all things, faith."Old Phellion, nonplussed by that remark, nodded to his wife:--"It is getting late, my dear," and he pointed to the clock.

"Oh, Monsieur Felix," said Celeste in a whisper to the candid mathematician, "Couldn't you be, like Pascal and Bossuet, learned and pious both?"The Phellions, on departing, carried the Collevilles with them. Soon no one remained in the salon but Dutocq, Theodose, and the Thuilliers.

The flattery administered by Theodose to Flavie seems at the first sight coarsely commonplace, but we must here remark, in the interests of this history, that the barrister was keeping himself as close as possible to these vulgar minds; he was navigating their waters; he spoke their language. His painter was Pierre Grassou, and not Joseph Bridau; his book was "Paul and Virginia." The greatest living poet for him was Casimire de la Vigne; to his eyes the mission of art was, above all things, utility. Parmentier, the discoverer of the potato, was greater to him that thirty Raffaelles; the man in the blue cloak seemed to him a sister of charity. These were Thuillier's expressions, and Theodose remembered them all--on occasion.