第31章 IX. "SOCIETY" AND "FASHION"(3)

Every other female in the world is sufficiently attractive to the male without trimmings. He carries the trimmings, sparing no expense of spreading antlers or trailing plumes; no monstrosity of crest and wattles, to win her favor.

She is only temporarily interested in him. The rest of the time she is getting her own living, and caring for her own young. But our women get their bread from their husbands, and every other social need. The woman depends on the man for her position in life, as well as the necessities of existence. For herself and for her children she must win and hold him who is the source of all supplies. Therefore she is forced to add to her own natural attractions this "dance of the seven veils," of the seventeen gowns, of the seventy-seven hats of gay delirium.

There are many who think in one syllable, who say, "women don't dress to please men--they dress to please themselves--and to outshine other women." To these I would suggest a visit to some summer shore resort during the week and extending over Saturday night. The women have all the week to please themselves and outshine one another; but their array on Saturday seems to indicate the approach of some new force or attraction.

If all this does not satisfy I would then call their attention to the well-known fact that the young damsel previous to marriage spends far more time and ingenuity in decoration than she does afterward. This has long been observed and deprecated by those who write Advice to Wives, on the ground that this difference is displeasing to the husband--that she loses her influence over him; which is true. But since his own "society," knowing his weakness, has tied him to her by law; why should she keep up what is after all an unnatural exertion?

That excellent magazine "Good Housekeeping" has been running for some months a rhymed and illustrated story of "Miss Melissa Clarissa McRae," an extremely dainty and well-dressed stenographer, who captured and married a fastidious young man, her employer, by the force of her artificial attractions--and then lost his love after marriage by a sudden unaccountable slovenliness--the same old story.

If this in not enough, let me instance further the attitude toward "Fashion" of that class of women who live most openly and directly upon the favor of men. These know their business. To continually attract the vagrant fancy of the male, nature's born "variant," they must not only pile on artificial charms, but change them constantly. They do.

From the leaders of this profession comes a steady stream of changing fashions; the more extreme and bizarre, the more successful--and because they are successful they are imitated.

If men did not like changes in fashion be assured these professional men-pleasers would not change them, but since Nature's Variant tires of any face in favor of a new one, the lady who would hold her sway and cannot change her face (except in color) must needs change her hat and gown.

But the Arbiter, the Ruling Cause, he who not only by choice demands, but as a business manufactures and supplies this amazing stream of fashions; again like Adam blames the woman--for accepting what he both demands and supplies.

A further proof, if more were needed, is shown in this; that in exact proportion as women grow independent, educated, wise and free, do they become less submissive to men-made fashions. Was this improvement hailed with sympathy and admiration--crowned with masculine favor?

The attitude of men toward those women who have so far presumed to "unsex themselves" is known to all. They like women to be foolish, changeable, always newly attractive; and while women must "attract" for a living--why they do, that's all.

It is a pity. It is humiliating to any far-seeing woman to have to recognize this glaring proof of the dependent, degraded position of her sex; and it ought to be humiliating to men to see the results of their mastery. These crazily decorated little creatures do not represent womanhood.

When the artist uses the woman as the type of every highest ideal; as Justice, Liberty, Charity, Truth--he does not represent her trimmed. In any part of the world where women are even in part economically independent there we find less of the absurdities of fashion. Women who work cannot be utterly absurd.

But the idle woman, the Queen of Society, who must please men within their prescribed bounds; and those of the half-world, who must please them at any cost--these are the vehicles of fashion.