第50章 WHO KNOWS?(1)

My God! My God! I am going to write down at last what has happened to me. But how can I? How dare I? The thing is so bizarre, so inexplicable, so incomprehensible, so silly!

If I were not perfectly sure of what I have seen, sure that there was not in my reasoning any defect, any error in my declarations, any lacuna in the inflexible sequence of my observations, Ishould believe myself to be the dupe of a simple hallucination, the sport of a singular vision. After all, who knows?

Yesterday I was in a private asylum, but I went there voluntarily, out of prudence and fear. Only one single human being knows my history, and that is the doctor of the said asylum. I am going to write to him. I really do not know why? To disembarrass myself? Yea, I feel as though weighed down by an intolerable nightmare.

Let me explain.

I have always been a recluse, a dreamer, a kind of isolated philosopher, easy-going, content with but little, harboring ill-feeling against no man, and without even a grudge against heaven. I have constantly lived alone; consequently, a kind of torture takes hold of me when I find myself in the presence of others. How is this to be explained? I do not know. I am not averse to going out into the world, to conversation, to dining with friends, but when they are near me for any length of time, even the most intimate of them, they bore me, fatigue me, enervate me, and I experience an overwhelming, torturing desire to see them get up and go, to take themselves away, and to leave me by myself.

That desire is more than a craving; it is an irresistible necessity. And if the presence of people with whom I find myself were to be continued; if I were compelled, not only to listen, but also to follow, for any length of time, their conversation, a serious accident would assuredly take place. What kind of accident? Ah! who knows? Perhaps a slight paralytic stroke?

Probably!

I like solitude so much that I cannot even endure the vicinage of other beings sleeping under the same roof. I cannot live in Paris, because there I suffer the most acute agony. I lead a moral life, and am therefore tortured in body and in nerves by that immense crowd which swarms and lives even when it sleeps.

Ah! the sleeping of others is more painful still than their conversation. And I can never find repose when I know and feel that on the other side of a wall several existences are undergoing these regular eclipses of reason.

Why am I thus? Who knows? The cause of it is very simple perhaps.

I get tired very soon of everything that does not emanate from me. And there are many people in similar case.

We are, on earth, two distinct races. Those who have need of others, whom others amuse, engage soothe, whom solitude harasses, pains, stupefies, like the movement of a terrible glacier or the traversing of the desert; and those, on the contrary, whom others weary, tire, bore, silently torture, whom isolation calms and bathes in the repose of independency, and plunges into the humors of their own thoughts. In fine, there is here a normal, physical phenomenon. Some are constituted to live a life outside of themselves, others, to live a life within themselves. As for me, my exterior associations are abruptly and painfully short-lived, and, as they reach their limits, I experience in my whole body and in my whole intelligence an intolerable uneasiness.

As a result of this, I became attached, or rather had become much attached, to inanimate objects, which have for me the importance of beings, and my house has or had become a world in which Ilived an active and solitary life, surrounded by all manner of things, furniture, familiar knickknacks, as sympathetic in my eyes as the visages of human beings. I had filled my mansion with them; little by little, I had adorned it with them, and I felt an inward content and satisfaction, was more happy than if I had been in the arms of a beloved girl, whose wonted caresses had become a soothing and delightful necessity.

I had had this house constructed in the center of a beautiful garden, which hid it from the public high-ways, and which was near the entrance to a city where I could find, on occasion, the resources of society, for which, at moments, I had a longing. All my domestics slept in a separate building, which was situated at some considerable distance from my house, at the far end of the kitchen garden, which in turn was surrounded by a high wall. The obscure envelopment of night, in the silence of my concealed habitation, buried under the leaves of great trees, was so reposeful and so delicious, that before retiring to my couch Ilingered every evening for several hours in order to enjoy the solitude a little longer.

One day "Signad" had been played at one of the city theaters. It was the first time that I had listened to that beautiful, musical, and fairy-like drama, and I had derived from it the liveliest pleasures.

I returned home on foot with a light step, my head full of sonorous phrases, and my mind haunted by delightful visions. It was night, the dead of night, and so dark that I could hardly distinguish the broad highway, and consequently I stumbled into the ditch more than once. From the custom-house, at the barriers, to my house, was about a mile, perhaps a little more--a leisurely walk of about twenty minutes. It was one o'clock in the morning, one o'clock or maybe half-past one; the sky had by this time cleared somewhat and the crescent appeared, the gloomy crescent of the last quarter of the moon. The crescent of the first quarter is that which rises about five or six o'clock in the evening and is clear, gay, and fretted with silver; but the one which rises after midnight is reddish, sad, and desolating--it is the true Sabbath crescent. Every prowler by night has made the same observation. The first, though slender as a thread, throws a faint, joyous light which rejoices the heart and lines the ground with distinct shadows; the last sheds hardly a dying glimmer, and is so wan that it occasions hardly any shadows.