The Voyage Out
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第69章 Chapter XIV(5)

He shouted out a line of poetry, but the words escaped him, and he stumbled among lines and fragments of lines which had no meaning at all except for the beauty of the words. He shut the gate, and ran swinging from side to side down the hill, shouting any nonsense that came into his head. "Here am I," he cried rhythmically, as his feet pounded to the left and to the right, "plunging along, like an elephant in the jungle, stripping the branches as I go (he snatched at the twigs of a bush at the roadside), roaring innumerable words, lovely words about innumerable things, running downhill and talking nonsense aloud to myself about roads and leaves and lights and women coming out into the darkness--about women-- about Rachel, about Rachel." He stopped and drew a deep breath.

The night seemed immense and hospitable, and although so dark there seemed to be things moving down there in the harbour and movement out at sea. He gazed until the darkness numbed him, and then he walked on quickly, still murmuring to himself. "And I ought to be in bed, snoring and dreaming, dreaming, dreaming. Dreams and realities, dreams and realities, dreams and realities," he repeated all the way up the avenue, scarcely knowing what he said, until he reached the front door. Here he paused for a second, and collected himself before he opened the door.

His eyes were dazed, his hands very cold, and his brain excited and yet half asleep. Inside the door everything was as he had left it except that the hall was now empty. There were the chairs turning in towards each other where people had sat talking, and the empty glasses on little tables, and the newspapers scattered on the floor.

As he shut the door he felt as if he were enclosed in a square box, and instantly shrivelled up. It was all very bright and very small.

He stopped for a minute by the long table to find a paper which he had meant to read, but he was still too much under the influence of the dark and the fresh air to consider carefully which paper it was or where he had seen it.

As he fumbled vaguely among the papers he saw a figure cross the tail of his eye, coming downstairs. He heard the swishing sound of skirts, and to his great surprise, Evelyn M. came up to him, laid her hand on the table as if to prevent him from taking up a paper, and said:

"You're just the person I wanted to talk to." Her voice was a little unpleasant and metallic, her eyes were very bright, and she kept them fixed upon him.

"To talk to me?" he repeated. "But I'm half asleep."

"But I think you understand better than most people," she answered, and sat down on a little chair placed beside a big leather chair so that Hewet had to sit down beside her.

"Well?" he said. He yawned openly, and lit a cigarette.

He could not believe that this was really happening to him.

"What is it?"

"Are you really sympathetic, or is it just a pose?" she demanded.

"It's for you to say," he replied. "I'm interested, I think."

He still felt numb all over and as if she was much too close to him.

"Any one can be interested!" she cried impatiently. "Your friend Mr. Hirst's interested, I daresay. however, I do believe in you.

You look as if you'd got a nice sister, somehow." She paused, picking at some sequins on her knees, and then, as if she had made up her mind, she started off, "Anyhow, I'm going to ask your advice.

D'you ever get into a state where you don't know your own mind?

That's the state I'm in now. You see, last night at the dance Raymond Oliver,--he's the tall dark boy who looks as if he had Indian blood in him, but he says he's not really,--well, we were sitting out together, and he told me all about himself, how unhappy he is at home, and how he hates being out here. They've put him into some beastly mining business. He says it's beastly--I should like it, I know, but that's neither here nor there. And I felt awfully sorry for him, one couldn't help being sorry for him, and when he asked me to let him kiss me, I did. I don't see any harm in that, do you?

And then this morning he said he'd thought I meant something more, and I wasn't the sort to let any one kiss me. And we talked and talked. I daresay I was very silly, but one can't help liking people when one's sorry for them. I do like him most awfully--"

She paused. "So I gave him half a promise, and then, you see, there's Alfred Perrott."

"Oh, Perrott," said Hewet.

"We got to know each other on that picnic the other day," she continued.

"He seemed so lonely, especially as Arthur had gone off with Susan, and one couldn't help guessing what was in his mind. So we had quite a long talk when you were looking at the ruins, and he told me all about his life, and his struggles, and how fearfully hard it had been.

D'you know, he was a boy in a grocer's shop and took parcels to people's houses in a basket? That interested me awfully, because I always say it doesn't matter how you're born if you've got the right stuff in you. And he told me about his sister who's paralysed, poor girl, and one can see she's a great trial, though he's evidently very devoted to her. I must say I do admire people like that!

I don't expect you do because you're so clever. Well, last night we sat out in the garden together, and I couldn't help seeing what he wanted to say, and comforting him a little, and telling him I did care--I really do--only, then, there's Raymond Oliver.

What I want you to tell me is, can one be in love with two people at once, or can't one?"

She became silent, and sat with her chin on her hands, looking very intent, as if she were facing a real problem which had to be discussed between them.

"I think it depends what sort of person you are," said Hewet.

He looked at her. She was small and pretty, aged perhaps twenty-eight or twenty-nine, but though dashing and sharply cut, her features expressed nothing very clearly, except a great deal of spirit and good health.

"Who are you, what are you; you see, I know nothing about you," he continued.

"Well, I was coming to that," said Evelyn M. She continued to rest her chin on her hands and to look intently ahead of her.