Over the Teacups
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第47章 VII(4)

The man who knows too much about one particular subject is liable to become a terrible social infliction. Some of the worst bores (to use plain language) we ever meet with are recognized as experts of high grade in their respective departments. Beware of making so much as a pinhole in the dam that holds back their knowledge. They ride their hobbies without bit or bridle. A poet on Pegasus, reciting his own verses, is hardly more to be dreaded than a mounted specialist.

One of the best offices which women perform for men is that of tasting books for them. They may or may not be profound students,--some of them are; but we do not expect to meet women like Mrs.

Somerville, or Caroline Herschel, or Maria Mitchell at every dinner-table or afternoon tea. But give your elect lady a pile of books to look over for you, and she will tell you what they have for her and for you in less time than you would have wasted in stupefying yourself over a single volume.

One of the encouraging signs of the times is the condensed and abbreviated form in which knowledge is presented to the general reader. The short biographies of historic personages, of which within the past few years many have been published, have been a great relief to the large class of readers who want to know something, but not too much, about them.

What refuge is there for the victim who is oppressed with the feeling that there are a thousand new books he ought to read, while life is only long enough for him to attempt to read a hundred? Many readers remember what old Rogers, the poet, said:

"When I hear a new book talked about or have it pressed upon me, I read an old one."

Happy the man who finds his rest in the pages of some favorite classic! I know no reader more to be envied than that friend of mine who for many years has given his days and nights to the loving study of Horace. After a certain period in life, it is always with an effort that we admit a new author into the inner circle of our intimates. The Parisian omnibuses, as I remember them half a century ago,--they may still keep to the same habit, for aught that I know,--used to put up the sign "Complet" as soon as they were full. Our public conveyances are never full until the natural atmospheric pressure of sixteen pounds to the square inch is doubled, in the close packing of the human sardines that fill the all-accommodating vehicles. A new-comer, however well mannered and well dressed, is not very welcome under these circumstances. In the same way, our tables are full of books half-read and books we feel that we must read. And here come in two thick volumes, with uncut leaves, in small type, with many pages, and many lines to a page,--a book that must be read and ought to be read at once. What a relief to hand it over to the lovely keeper of your literary conscience, who will tell you all that you will most care to know about it, and leave you free to plunge into your beloved volume, in which you are ever finding new beauties, and from which you rise refreshed, as if you had just come from the cool waters of Hippocrene! The stream of modern literature represented by the books and periodicals on the crowded counters is a turbulent and clamorous torrent, dashing along among the rocks of criticism, over the pebbles of the world's daily events; trying to make itself seen and heard amidst the hoarse cries of the politicians and the rumbling wheels of traffic. The classic is a still lakelet, a mountain tarn, fed by springs that never fail, its surface never ruffled by storms,--always the same, always smiling a welcome to its visitor. Such is Horace to my friend. To his eye "Lydia, dic per omnes" is as familiar as "Pater noster qui es in caelis" to that of a pious Catholic. "Integer vitae," which he has put into manly English, his Horace opens to as Watt's hymn-book opens to "From all that dwell below the skies." The more he reads, the more he studies his author, the richer are the treasures he finds. And what Horace is to him, Homer, or Virgil, or Dante is to many a quiet reader, sick to death of the unending train of bookmakers.

I have some curious books in my library, a few of which I should like to say something about to The Teacups, when they have no more immediately pressing subjects before them. A library of a few thousand volumes ought always to have some books in it which the owner almost never opens, yet with whose backs he is so well acquainted that he feels as if he knew something of their contents.

They are like those persons whom we meet in our daily walks, with whose faces and figures, whose summer and winter garments, whose walking-sticks and umbrellas even, we feel acquainted, and yet whose names, whose business, whose residences, we know nothing about. Some of these books are so formidable in their dimensions, so rusty and crabbed in their aspect, that it takes a considerable amount of courage to attack them.

I will ask Delilah to bring down from my library a very thick, stout volume, bound in parchment, and standing on the lower shelf, next the fireplace. The pretty handmaid knows my books almost as if she were my librarian, and I don't doubt she would have found it if I had given only the name on the back.

Delilah returned presently, with the heavy quarto in her arms. It was a pleasing sight,--the old book in the embrace of the fresh young damsel. I felt, on looking at them, as I did when I followed the slip of a girl who conducted us in the Temple, that ancient building in the heart of London. The long-enduring monuments of the dead do so mock the fleeting presence of the living!