第59章 CHAPTER I WHAT DON MARCELO ENVIED(2)

In the daytime the popular current was running toward the Gare de l'Est. Crowded against the gratings was a surging mass of humanity stretching its tentacles through the nearby streets. The station that was acquiring the importance of a historic spot appeared like a narrow tunnel through which a great human river was trying to flow with many rippling encounters and much heavy pressure against its banks. A large part of France in arms was coursing through this exit from Paris toward the battlefields at the frontier.

Desnoyers had been in the station only twice, when going and coming from Germany. Others were now taking the same road. The crowds were swarming in from the environs of the city in order to see the masses of human beings in geometric bodies, uniformly clad, disappearing within the entrance with flash of steel and the rhythm of clanking metal. The crystal archways that were glistening in the sun like fiery mouths were swallowing and swallowing people. When night fell the processions were still coming on, by light of the electric lamps. Through the iron grills were passing thousands and thousands of draught horses; men with their breasts crossed with metal and bunches of horsehair hanging from their helmets, like paladins of bygone centuries; enormous cases that were serving as cages for the aeronautic condors; strings of cannon, long and narrow, painted grey and protected, by metal screens, more like astronomical instruments than mouths of death; masses and masses of red kepis (military caps) moving in marching rhythm, rows and rows of muskets, some black and stark like reed plantations, others ending in bayonets like shining spikes. And over all these restless fields of seething throngs, the flags of the regiments were fluttering in the air like colored birds; a white body, a blue wing, or a red one, a cravat of gold on the neck, and above, the metal tip pointing toward the clouds.

Don Marcelo would return home from these send-offs vibrating with nervous fatigue, as one who had just participated in a scene of racking emotion. In spite of his tenacious character which always stood out against admitting a mistake, the old man began to feel ashamed of his former doubts. The nation was quivering with life;

France was a grand nation; appearances had deceived him as well as many others. Perhaps the most of his countrymen were of a light and flippant character, given to excessive interest in the sensuous side of life; but when danger came they were fulfilling their duty simply, without the necessity of the harsh force to which the iron-clad organizations were submitting their people.

On leaving home on the morning of the fourth day of the mobilization Desnoyers, instead of betaking himself to the centre of the city, went in the opposite direction toward the rue de la Pompe. Some imprudent words dropped by Chichi, and the uneasy looks of his wife and sister-in-law made him suspect that Julio had returned from his trip. He felt the necessity of seeing at least the outside of the studio windows, as if they might give him news. And in order to justify a trip so at variance with his policy of ignoring his son, he remembered that the carpenter lived in the same street.

"I must hunt up Robert. He promised a week ago that he would come here."

This Robert was a husky young fellow who, to use his own words, was "emancipated from boss tyranny," and was working independently in his own home. A tiny, almost subterranean room was serving him for dwelling and workshop. A woman he called "my affinity" was looking carefully after his hearth and home, with a baby boy clinging to her skirts. Desnoyers was accustomed to humor Robert's tirades against his fellow citizens because the man had always humored his whimseys about the incessant rearrangement of his furniture. In the luxurious apartment in the avenue Victor Hugo the carpenter would sing La Internacional while using hammer and saw, and his employer would overlook his audacity of speech because of the cheapness of his work.

Upon arriving at the shop he found the man with cap over one ear, broad trousers like a mameluke's, hobnailed boots and various pennants and rosettes fastened to the lapels of his jacket.

"You've come too late, Boss," he said cheerily. "I am just going to close the factory. The Proprietor has been mobilized, and in a few hours will join his regiment."

And he pointed to a written paper posted on the door of his dwelling like the printed cards on all establishments, signifying that employer and employees had obeyed the order of mobilization.

It had never occurred to Desnoyers that his carpenter might become a soldier, since he was so opposed to all kinds of authority. He hated the flics, the Paris police, with whom he had, more than once, exchanged fisticuffs and clubbings. Militarism was his special aversion. In the meetings against the despotism of the barracks he had always been one of the noisiest participants. And was this revolutionary fellow going to war naturally and voluntarily? . . .

Robert spoke enthusiastically of his regiment, of life among comrades with Death but four steps away.

"I believe in my ideas, Boss, the same as before," he explained as though guessing the other's thought. "But war is war and teaches many things--among others that Liberty must be accompanied with order and authority. It is necessary that someone direct that the rest may follow--willingly, by common consent . . . but they must follow. When war actually comes one sees things very differently from when living at home doing as one pleases."

The night that they assassinated Jaures he howled with rage, announcing that the following morning the murder would be avenged.

He had hunted up his associates in the district in order to inform them what retaliation was being planned against the malefactors.