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"Don't exert yourself," he said. "I'll put all your questions for you. What have I been about? Why do I look so remarkably well off? And how in the world did I find my way to this house? My dear girl, I have been occupied, since we last saw each other, in slightly modifying my old professional habits. I have shifted from Moral Agriculture to Medical Agriculture. Formerly I preyed on the public sympathy, now I prey on the public stomach. Stomach and sympathy, sympathy and stomach--look them both fairly in the face when you reach the wrong side of fifty, and you will agree with me that they come to much the same thing. However that may be, here I am--incredible as it may appear--a man with an income, at last. The founders of my fortune are three in number. Their names are Aloes, Scammony, and Gamboge. In plainer words, I am now living--on a Pill. I made a little money (if you remember) by my friendly connection with you. I made a little more by the happy decease ( Requiescat in Pace! ) of that female relative of Mrs. Wragge's from whom, as I told you, my wife had expectations. Very good. What do you think I did? I invested the whole of my capital, at one fell swoop, in advertisements, and purchased my drugs and my pill-boxes on credit. The result is now before you. Here I am, a Grand Financial Fact. Here I am, with my clothes positively paid for; with a balance at my banker's; with my servant in livery, and my gig at the door; solvent, flourishing, popular--and all on a Pill."Magdalen smiled. The captain's face assumed an expression of mock gravity; he looked as if there was a serious side to the question, and as if he meant to put it next.

"It's no laughing matter to the public, my dear," he said. "They can't get rid of me and my Pill; they must take us. There is not a single form of appeal in the whole range of human advertisement which I am not making to the unfortunate public at this moment. Hire the last new novel, there I am, inside the boards of the book. Send for the last new Song--the instant you open the leaves, I drop out of it. Take a cab--I fly in at the window in red. Buy a box of tooth-powder at the chemist's--I wrap it up for you in blue. Show yourself at the theater--I flutter down on you in yellow. The mere titles of my advertisements are quite irresistible. Let me quote a few from last week's issue. Proverbial Title: 'A Pill in time saves Nine.' Familiar Title: 'Excuse me, how is your Stomach?' Patriotic Title: 'What are the three characteristics of a true-born Englishman? His Hearth, his Home, and his Pill.' Title in the form of a nursery dialogue: 'Mamma, I am not well.' 'What is the matter, my pet?' 'I want a little Pill.' Title in the form of a Historical Anecdote: 'New Discovery in the Mine of English History. When the Princes were smothered in the Tower, their faithful attendant collected all their little possessions left behind them. Among the touching trifles dear to the poor boys, he found a tiny Box. It contained the Pill of the Period. Is it necessary to say how inferior that Pill was to its Successor, which prince and peasant alike may now obtain?'--Et cetera, et cetera. The place in which my Pill is made is an advertisement in itself. I have got one of the largest shops in London. Behind one counter (visible to the public through the lucid medium of plate-glass) are four-and-twenty young men, in white aprons, making the Pill. Behind another counter are four-and-twenty young men, in white cravats, making the boxes. At the bottom of the shop are three elderly accountants, posting the vast financial transactions accruing from the Pill in three enormous ledgers. Over the door are my name, portrait, and autograph, expanded to colossal proportions, and surrounded in flowing letters, by the motto of the establishment, 'Down with the Doctors!' Even Mrs. Wragge contributes her quota to this prodigious enterprise. She is the celebrated woman whom I have cured of indescribable agonies from every complaint under the sun. Her portrait is engraved on all the wrappers, with the following inscription beneath it: 'Before she took the Pill you might have blown this patient away with a feather. Look at her now!!!' Last, not least, my dear girl, the Pill is the cause of my finding my way to this house. My department in the prodigious Enterprise already mentioned is to scour the United Kingdom in a gig, establishing Agencies everywhere. While founding one of those Agencies, I heard of a certain friend of mine, who had lately landed in England, after a long sea-voyage. I got his address in London--he was a lodger in this house. I called on him forthwith, and was stunned by the news of your illness. Such, in brief, is the history of my existing connection with British Medicine; and so it happens that you see me at the present moment sitting in the present chair, now as ever, yours truly, Horatio Wragge." In these terms the captain brought his personal statement to a close. He looked more and more attentively at Magdalen, the nearer he got to the conclusion. Was there some latent importance attaching to his last words which did not appear on the face of them? There was. His visit to the sick-room had a serious object, and that object he had now approached.

In describing the circumstances under which he had become acquainted with Magdalen's present position, Captain Wragge had skirted, with his customary dexterity, round the remote boundaries of truth. Emboldened by the absence of any public scandal in connection with Noel Vanstone's marriage, or with the event of his death as announced in the newspaper obituary, the captain, roaming the eastern circuit, had ventured back to Aldborough a fortnight since, to establish an agency there for the sale of his wonderful Pill. No one had recognized him but the landlady of the hotel, who at once insisted on his entering the house and reading Kirke's letter to her husband. The same night Captain Wragge was in London, and was closeted with the sailor in the second-floor room at Aaron's Buildings.