第76章 How Spirits Materialize Anonymous(3)

Immediately after this manifestation an examination of the medium and cabinet was made, and it was certain the medium had not been awayfrom his chair. The light was again turned out and the music box started, when TWO bright spots appeared on the carpet, one at either end of the table. These went through the same process of development until, when the light was turned on, there was another beautiful female spirit at one end of the table, and a child of perhaps eight years of age at the other. The child was recognized by a lady present as her daughter, while the adult spirit was recognized and rapturously greeted by a gentleman who sat near me on my left, as his "darling angel guardian." They had quite a long conversation, in which they made use of very endearing language, each to the other. I supposed it was the gentleman's wife. . . .

The spirits did not disappear as the first one had, but, when the light had been turned off, the luminous shape revolved a few times, and on two occasions assumed the garb and shape of men, and when the light was turned on again, there stood the men with beards and men's forms. After some eight or ten of these materializations and dematerializations, before our eyes, the last couple completely disappeared.

The light was again turned down and a luminous shape came from the cabinet, followed by others, until seven of them stood on the floor. The light was turned up until we could see the seven spirits. Five were females and two males. They were of different sizes. The curtain at the door of the cabinet was pulled aside and we could see the medium sitting in the chair in which he was bound. The forms now filed into the cabinet again, while the music box played. After they had disappeared the light was turned up, an investigation made of the cabinet, and the seance was over.

There, reader, is a truthful description of what can be witnessed at the seances of mediums who are artists. None of your bungling, amateur work here. The work of such a medium is always satisfactory for the reason that if a man feels SURE that the medium is a fraud, he has been so well entertained that he does not regret the money paid for the opportunity to witness it. This is the class of medium also who frequently succeed in getting large sums of money from wealthy persons they have converted to spiritualism.

Did the writer not give you the true explanation of the manner inwhich these things were produced, you would probably say it was conceived by a very fertile imagination. If you believed that he saw these things you would perhaps offer the preacher's explanation, by saying, "it is the work of the devil"; or that of the scientist, by asserting that "it is the mesmerist's power over your mind"; or "the operator has discovered an odd force in nature"; or go off on a long dissertation on hypnotism and fourth dimension of space problems. However, it is not the work of the devil, neither are there any but NATURAL laws necessary to its production.

The seance described actually occurred and was described in writing by Mr. Smith in the language used, although it was not printed, and the writer was one of those who assisted in its production. He will now proceed to explain this particular seance. . . .

It will be remembered that the room and cabinet were carpeted with a dark carpet, and that the ceilings were of wood. The ceilings were decorated by being put on in panels. The ceiling of the cabinet would not have been like that of the room had the closet been a part of the architect's plans of the house. It was not, but was made by the medium. He simply built a lath and plaster partition from the corner of a wide chimney to the wall, thus inclosing a space of six by four feet. The panel in the ceiling of the closet was twenty inches square. This panel was "doctored" and could be displaced, leaving an aperture large enough for the "spooks" to get through with perfect ease. A light ladder which reached within three feet of the floor of the cabinet was hooked fast above and furnished the means of getting down and up again. There were eight persons connected with the seance described by Mr. Smith, seven upstairs and the medium in the cabinet. Of course it was not necessary that the medium get out of his fastenings, and the facts are that he did NOT. The table was placed across the cabinet door, not to lay the instruments on, but to be very much in the way should anyone make a rush and "grab" for the materialized forms. In case this occurred, the "spooks" above would close the light, making the room perfectly dark, and the manager would do his utmost to turn the table on end, or side, with the legs out in the room. Before the "grabber" could get the lay of things and get past it, the spookswould have gone through the trap, closed it, pulled up the ladder, and the "grabber" would have found the medium writhing and groaning and bleeding from the mouth. The bleeding was for effect, and was caused by sucking very hard on his teeth or gums.

The table also served a convenient purpose in the materialization and dematerialization through the floor. You now know where the spooks came from, in this particular house, and how they got in and out. Now let us see how they managed the materializations, and the properties used to produce them. The trap and ladder were practically noiseless in their operations, but the music box made assurance doubly sure that the least sound from the cabinet should not he heard in the seance room.

When the box began its first air the trapdoor was opened and down the ladder came a young man clad in a suit of black tights. He was entirely covered with black with the exception of his right arm, which was bare to a point a little more than halfway from the elbow to his shoulder. The bare arm glowed with a luminous bluish light.