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Palissy next erected an improved furnace, but he was so unfortunate as to build part of the inside with flints. When it was heated, these flints cracked and burst, and the spiculae were scattered over the pieces of pottery, sticking to them. Though the enamel came out right, the work was irretrievably spoilt, and thus six more months' labour was lost. Persons were found willing to buy the articles at a low price, notwithstanding the injury they had sustained; but Palissy would not sell them, considering that to have done so would be to "decry and abate his honour;" and so he broke in pieces the entire batch. "Nevertheless," says he, "hope continued to inspire me, and I held on manfully; sometimes, when visitors called, I entertained them with pleasantry, while I was really sad at heart. . . . Worst of all the sufferings I had to endure, were the mockeries and persecutions of those of my own household, who were so unreasonable as to expect me to execute work without the means of doing so. For years my furnaces were without any covering or protection, and while attending them I have been for nights at the mercy of the wind and the rain, without help or consolation, save it might be the wailing of cats on the one side and the howling of dogs on the other. Sometimes the tempest would beat so furiously against the furnaces that I was compelled to leave them and seek shelter within doors. Drenched by rain, and in no better plight than if I had been dragged through mire, I have gone to lie down at midnight or at daybreak, stumbling into the house without a light, and reeling from one side to another as if Ihad been drunken, but really weary with watching and filled with sorrow at the loss of my labour after such long toiling. But alas!

my home proved no refuge; for, drenched and besmeared as I was, Ifound in my chamber a second persecution worse than the first, which makes me even now marvel that I was not utterly consumed by my many sorrows."At this stage of his affairs, Palissy became melancholy and almost hopeless, and seems to have all but broken down. He wandered gloomily about the fields near Saintes, his clothes hanging in tatters, and himself worn to a skeleton. In a curious passage in his writings he describes how that the calves of his legs had disappeared and were no longer able with the help of garters to hold up his stockings, which fell about his heels when he walked. The family continued to reproach him for his recklessness, and his neighbours cried shame upon him for his obstinate folly.

So he returned for a time to his former calling; and after about a year's diligent labour, during which he earned bread for his household and somewhat recovered his character among his neighbours, he again resumed his darling enterprise. But though he had already spent about ten years in the search for the enamel, it cost him nearly eight more years of experimental plodding before he perfected his invention. He gradually learnt dexterity and certainty of result by experience, gathering practical knowledge out of many failures. Every mishap was a fresh lesson to him, teaching him something new about the nature of enamels, the qualities of argillaceous earths, the tempering of clays, and the construction and management of furnaces.

At last, after about sixteen years' labour, Palissy took heart and called himself Potter. These sixteen years had been his term of apprenticeship to the art; during which he had wholly to teach himself, beginning at the very beginning. He was now able to sell his wares and thereby maintain his family in comfort. But he never rested satisfied with what he had accomplished. He proceeded from one step of improvement to another; always aiming at the greatest perfection possible. He studied natural objects for patterns, and with such success that the great Buffon spoke of him as "so great a naturalist as Nature only can produce." His ornamental pieces are now regarded as rare gems in the cabinets of virtuosi, and sell at almost fabulous prices. The ornaments on them are for the most part accurate models from life, of wild animals, lizards, and plants, found in the fields about Saintes, and tastefully combined as ornaments into the texture of a plate or vase. When Palissy had reached the height of his art he styled himself "Ouvrier de Terre et Inventeur des Rustics Figulines."We have not, however, come to an end of the sufferings of Palissy, respecting which a few words remain to be said. Being a Protestant, at a time when religious persecution waxed hot in the south of France, and expressing his views without fear, he was regarded as a dangerous heretic. His enemies having informed against him, his house at Saintes was entered by the officers of "justice," and his workshop was thrown open to the rabble, who entered and smashed his pottery, while he himself was hurried off by night and cast into a dungeon at Bordeaux, to wait his turn at the stake or the scaffold. He was condemned to be burnt; but a powerful noble, the Constable de Montmorency, interposed to save his life - not because he had any special regard for Palissy or his religion, but because no other artist could be found capable of executing the enamelled pavement for his magnificent chateau then in course of erection at Ecouen, about four leagues from Paris. By his influence an edict was issued appointing Palissy Inventor of Rustic Figulines to the King and to the Constable, which had the effect of immediately removing him from the jurisdiction of Bourdeaux. He was accordingly liberated, and returned to his home at Saintes only to find it devastated and broken up. His workshop was open to the sky, and his works lay in ruins. Shaking the dust of Saintes from his feet he left the place never to return to it, and removed to Paris to carry on the works ordered of him by the Constable and the Queen Mother, being lodged in the Tuileries while so occupied.