第45章

The avenue which I have followed in an easterly direction abuts on as disconcerting a chaos of granite as exists in Thebes--the hall of the feasts of Thothmes III. What kind of feasts were they, that this king gave here, in this forest of thick-set columns, beneath these ceilings, of which the smallest stone, if it fell, would crush twenty men? In places the friezes, the colonnades, which seem almost diaphanous in the air, are outlined still with a proud magnificence in unbroken alignment against the star-strewn sky. Elsewhere the destruction is bewildering; fragments of columns, entablatures, bas-reliefs lie about in indescribable confusion, like a lot of scattered wreckage after a world-wide tempest. For it was not enough that the hand of man should overturn these things. Tremblings of the earth, at different times, have also come to shake this Cyclops palace which threatened to be eternal. And all this--which represents such an excess of force, of movement, of impulsion, alike for its erection as for its overthrow--all this is tranquil this evening, oh! so tranquil, although toppling as if for an imminent downfall--tranquil forever, one might say, congealed by the cold and by the night.

I was prepared for silence in such a place, but not for the sounds which I commence to hear. First of all an osprey sounds the prelude, above my head and so close to me that it holds me trembling throughout its long cry. Then other voices answer from the depths of the ruins, voices very diverse, but all sinister. Some are only able to mew on two long-drawn notes: some yelp like jackals round a cemetery, and others again imitate the sound of a steel spring slowly unwinding itself. And this concert comes always from above. Owls, ospreys, screech-owls, all the different kinds of birds, with hooked beaks and round eyes, and silken wings that enable them to fly noiselessly, have their homes amongst the granites massively upheld in the air; and they are celebrating now, each after its own fashion, the nocturnal festival. Intermittent calls break upon the air, and long-drawn infinitely mournful wailings, that sometimes swell and sometimes seem to be strangled and end in a kind of sob. And then, in spite of the sonority of the vast straight walls, in spite of the echoes which prolong the cries, the silence obstinately returns. Silence. The silence after all and beyond all doubt is the true master at this hour of this kingdom at once colossal, motionless and blue--a silence that seems to be infinite, because we know that there is nothing around these ruins, nothing but the line of the dead sands, the threshold of the deserts.

*****

I retrace my steps towards the west in the direction of the hypostyle, traversing again the avenue of monstrous splendours, imprisoned and, as it were, dwarfed between the rows of sovereign stones. There are obelisks there, some upright, some overthrown. One like those of Luxor, but much higher, remains intact and raises its sharp point into the sky; others, less well known in their exquisite simplicity, are quite plain and straight from base to summit, bearing only in relief gigantic lotus flowers, whose long climbing stems bloom above in the half light cast by the stars. The passage becomes narrower and more obscure, and it is necessary sometimes to grope my way. And then again my hands encounter the everlasting hieroglyphs carved everywhere, and sometimes the legs of a colossus seated on its throne. The stones are still slightly warm, so fierce has been the heat of the sun during the day. And certain of the granites, so hard that our steel chisels could not cut them, have kept their polish despite the lapse of centuries, and my fingers slip in touching them.

There is now no sound. The music of the night birds has ceased. I listen in vain--so attentively that I can hear the beating of my heart. Not a sound, not even the buzzing of a fly. Everything is silent, everything is ghostly; and in spite of the persistent warmth of the stones the air grows colder and colder, and one gets the impression that everything here is frozen--definitely--as in the coldness of death.